Presenting the all new Strymon EC-1 Single Head dTape Echo Pedal. A Timeless Classic Reborn: Experience the dreamy sound of a classic ‘60s tape echo complete with the harmonic richness of the accompanying tube preamp. Enjoy organic and ethereal modulation produced by countless subtle mechanical imperfections, and easily dial in anything from warm slapback to expansive echo feedback beds with a strikingly gorgeous stereo image. With beautifully-tuned low frequency response, lush tape saturation and sublime echo decay, EC-1 provides all the best of what a tube driven tape echo can deliver. Full-Featured Compact Stereo Tape Echo: The EC-1 offers impressive power and flexibility in a small and elegant form factor: Selectable tube-modeled preamp voices. Artifact-free tap tempo. Discrete stereo operation for independent processing of the left and right stereo inputs. Straightforward controls and expression pedal capability. High-impedance, ultra-low noise discrete Class A JFET stereo input preamp for exceptional touch sensitivity, dynamics and feel. MIDI control of tempo, patch save/recall and more. Premium components, rugged construction and a USB jack for performing firmware updates or controlling the pedal from a computer. Tape, Tubes, and the Best of the Best: Development of EC-1 started with the groundbreaking single moving head algorithm originally developed for Strymon's legendary El Capistan pedal, which is renowned for its lifelike reproduction of vintage tape echo. From there, they were fortunate to acquire what turned out to be a very special Echoplex EP-2, as the unit was in amazingly good condition and had been worked on by storied technician Cesar Diaz. The team at Strymon discovered that several purposeful and skillfully-implemented modifications had been made to the unit, including tweaks to the tube preamp for a warmer sound closer in frequency response to an EP-3. The modifications seemed aimed at bringing the best aspects of the various vintage Echoplex models into a single unit, and the inspiring result significantly informed development of EC-1, imbuing it with a special character that is immediately nostalgic. Input Signal Enhancer: Featuring meticulous tube modeling techniques, the EC-1 offers a choice of two authentically reproduced preamp circuits that lend a subtle vintage character to your input signal. One is based on the classic EP-2 tube preamp and features an enhanced high-end shelf perfect for brightening up darker humbuckers. The other preamp option (the default setting) produces a warm, balanced response based on the modded preamp circuit in the EP-2 unit that we studied during the development of EC-1. This option adds a pleasing sense of heft, especially to single-coils. Both preamp choices offer an optional boost of up to +6dB, or the preamp can be bypassed for an unprocessed dry signal if desired. Tale of the Tape: Strymon's unique dTape technology was first developed for El Capistan, and they have expanded on it to reproduce all the inspiring nuances that they encountered while studying a recently-acquired tube Echoplex that was in uncommonly superb condition. Their dTape system allows precise replication of every aspect of every tape echo Strymon has studied, and in EC- 1 this includes the effect of the moving head, the tape condition, the bias setting, the mechanical effects of motors, capstan slippage and all the irregularities that add up to create the unmistakable, inspiring sound of vintage tape echo repeats. Record Level Satisfying Saturation Whether you want the cleanest repeats, subtle fattening or even downright dirty echos, you can instantly dial in the desired amount of tape saturation with the flip of a switch. Providing pleasing tonal shifts from thinner to fatter, EC-1’s three-way Record Level toggle switch selects the gain of the signal fed into the virtual record head. Choose the low position for unity gain with optimized bias for the cleanest repeats, medium for a 6dB input signal boost with increased bias for slightly saturated repeats, or high for a 12dB input signal boost with further increased bias for heavily saturated repeats. This control also gives you a fast and easy way to match EC-1’s response to your input signal level to obtain the desired sound from any pickup type or pedalboard configuration. Mechanics The Beauty of Imperfection For EC-1, fluctuations from motors and mechanical components were thoroughly studied to accurately capture their imperfections. At the lower end of the Mechanics control’s range, only slower motor-related wow and flutter are present, but at around one o’clock these fluctuations are reduced in favor of faster disturbances from crinkle, splices, and capstan slippage which accurately replicate the sound of Strymon's golden EP-2 unit. This setting can create uniquely reverberant and three-dimensional echos that spread across the stereo spectrum. The slower fluctuations are mixed back in more prominently as you approach the maximum Mechanics setting, and the unique combination of multiple imperfections create truly gorgeous, organic stereo modulation effects unlike anything you’ve ever heard. Tape Age Mature Media The frequency characteristics of tape echo repeats are determined in part by the bandwidth of the actual tape stock, so older tapes will have a lower bandwidth with a warmer top end. EC-1 allows you to faithfully reproduce these characteristics by turning up the Tape Age knob for warmer repeats, or turning it toward minimum for the full-bandwidth sound of fresh tape. Repeats Everything Is Under Control EC-1 is designed to allow high levels of repeats that are truly lush but that don’t spiral into uncontrollable feedback. That wide sweet spot on the edge of runaway feedback can create intriguing sound beds under your lead or rhythm playing. Of course if you want to crank the Repeats control to maximum and play with the unique pitch effects that only a sliding record head tape echo can produce, those effects are all precisely replicated in sound and response. Discrete Stereo EC-1 features full stereo in and out capabilities, processing incoming stereo signals independently so that you can place it anywhere in your stereo effects chain. It can also receive mono input and still produce stereo output if you’d like to use it as the stereo origin point of your signal path. EC-1’s single TRS input and TRS output allows for stereo operation while maintaining a compact form factor. A dedicated rear panel Input switch allows you to determine the audio routing, selecting between Mono In → Mono Out, Mono In → Stereo Out, or Stereo In → Stereo Out (stereo in and out requires a TRS cable for each jack). Artifact Free Tap Tempo Tapping in tempos with EC-1 works in a seamless way that would be impossible with a real tape echo. Confidently tap your tempos with no pitch shifting, no clicks, ramps or mutes. All the unique sliding head tape echo pitch-shifting effects are always available when setting tempo with the Time knob, but when tapping tempo EC-1 changes to new values smoothly and keeps you in the groove. Once a tempo has been tapped in, you can use the Time knob to set the Tap Division for triplet, eighth, dotted eighth, or quarter note resolution. Features MIDI True/Buffered Bypass JFET Input Stereo ARM Processor Controls & Routing Specs High impedance ultra low-noise discrete Class A JFET TRS stereo input Low impedance TRS stereo output Expression pedal input allows the connection of a TRS expression pedal, MiniSwitch, MultiSwitch Plus, or TRS MIDI connection USB jack for controlling via MIDI from a computer or for performing firmware updates Audio Quality Premium JFET analog front end Ultra low noise, high performance 24-bit 96kHz A/D and D/A converters provide uncompromising audio quality 520MHz ARM Superscalar processor 32-bit floating point processing 20Hz to 20kHz frequency response Audio Input Impedance: 1M Ohm Audio Output Impedance: 100 Ohm Typical signal to noise ratio: 116dB Strong and lightweight anodized aluminum chassis Power requirements: maximum 9 volts DC center-negative, with a minimum of 250mA (power supply NOT included) Dimensions: 4.6” deep x 2.7” wide x 2.5” tall Designed and built in the USA
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The Guitar Sanctuary does accept returned items as long as arrangements are made for such within 48 hours of purchase/receipt. Returned items MUST be in the original condition and packing (including owner’s manual, un-used warranty card, any other items that came with the item) in order to qualify for a refund. No refunds are available for “special” ordered guitars or amplifiers (items that were not in stock, but rather ordered per the customers request. The customer is responsible for all freight charges and credit card processing fees incurred in the course of the sale. We cannot refund freight charges. The Guitar Sanctuary will charge a 20% restocking fee for returned effects pedals and amplifiers and a 10% restocking fee for Guitars. The only exceptions are for products that are defective. Please only purchase an item after you are certain it is right for you! Layaway: You can lay-a-way any product for a maximum of three months. Lay-a-way requires a 25% non-refundable deposit. We will not be able to ship the item until it is paid for in full and as a lay-a-way purchase, does not qualify for the 48 hour approval policy. International Sales: We can ship most guitars and other products internationally. We prefer money orders, cashier’s checks, or bank wire transfers in U.S. dollars. Shipping quotes are only valid for 48 hours. Please consult with your local officials about taxes, duties, currency exchange rates, etc.