Boss Boss IR-200 Amp and IR Cabinet Simulator Pedal

Presenting the all new Boss IR-200 Amp and IR Cabinet Simulator Pedal. Introducing the new IR-200 from Boss, the most advanced compact amp/IR solution available. This powerhouse stomp brings next-level performance to direct sound for guitar and bass, offering exceptional audio quality, premium amps, deep sound shaping, and instant sound recall with 128 memories. Over 150 hi-res cab impulse responses from BOSS and Celestion Digital are on board, plus 128 locations for loading your own mono or stereo IRs (IR is short for Impulse Response). The IR-200 turns your pedalboard into a self-contained direct sound solution for live playing, studio recording, and practice. It delivers massive amp tones from a small footprint and smoothly integrates with all your favorite pedals, including stereo mod, delay, and reverb effects. And once you craft your tones, you can send them to a stage amp, house PA, computer recording system, or headphones—or all at once. Standard Features of the IR-200 Include:Pedal-based amp simulator and impulse response loader with premium sound and features32-bit AD/DA, 32-bit floating-point processing, and 96 kHz sampling rate128 user IR slots with support for mono and stereo WAV files, up to 32-bit floating point/96 kHz resolution, and 200 or 500 ms lengthLarge onboard preset cab IR library with 144 BOSS IRs and 10 Celestion Digital IRsClass-leading IR reproduction with two custom DSPsEight guitar and three bass amp types to cover a wide range of stylesRun up to two IRs at once in mono or stereo128 memories for storing user setupsTwo EQs in each memory plus two global EQs, all with selectable parametric or graphic operationRoom, Studio, and Hall ambience typesEffects loop with mono send and mono/stereo return, with selectable pre-cab or post-EQ positioningDedicated software for loading cab IRs and backing up memoriesVersatile USB audio interface for recording and playback with music software on Mac and Windows computers and iOS devicesDeep external control support via footswitches, an expression pedal, and TRS MIDIHigh-Resolution Stereo Cabinet IRsBacked by two powerful custom DSPs, the IR-200 provides exceptional IR performance with support for mono and stereo files, up to 32-bit floating point/96 kHz resolution, and up to 500 ms length for natural bass response. The 144 BOSS and 10 Celestion Digital IRs cover a vast range of cabinet and mic combinations and are always ready to use in your patches. And with the IR-200 IR Loader software for macOS and Windows, you can load in up to 128 mono or 64 stereo WAV IRs from your personal collection. Backed by two powerful custom DSPs, the IR-200 provides exceptional IR performance with support for mono and stereo files, up to 32-bit floating point/96 kHz resolution, and up to 500 ms length for natural bass response. The 144 BOSS and 10 Celestion Digital IRs cover a vast range of cabinet and mic combinations and are always ready to use in your patches. And with the IR-200 IR Loader software for macOS and Windows, you can load in up to 128 mono or 64 stereo WAV IRs from your personal collection. Guitar Cabinet IRs Created By BOSS (Each cabinet has six different mic types with two distance options)1 x 12” : BOSS Original (Open Back)2 x 12” JC-120 : Roland JC-120 (Open Back)2 x 12” Jensen C-12K : Fender Twin Reverb (Open Back)2 x 12” Celestion G12M Greenback : VOX AC-30 (Open Back)4 x 10” Jensen P10R : Fender Bassman (Open Back)4 x 12” Celestion G12M Greenback : Marshall 1960B (Closed Back)4 x 12” Celestion G12T-75 : Marshall 1960B (Closed Back)4 x 12” Celestion G12M Greenback : Bogner Ubercab (Closed Back) Bass Cabinet IRs Created By BOSS (Each cabinet has six different mic types with two distance options)1 x 18” SWR : Big Ben with two rear bass reflex ports2 x 15” : BOSS Original (Closed Back)4 x 10” : SWR Goliath with a built-in horn-type tweeter (Closed Back)8 x 10” : Ampeg 810E (Closed Back) Guitar Cabinet IRs Created By Celestion Digital1 x 12” Celestion Cream : Open Back1 x 12” Celestion Ruby : Open Back2 x 12” Celestion Blue : Open Back2 x 12” Celestion Heritage G12H(55) : Open Back2 x 12” Celestion Vintage 30 : Closed Back4 x 12” Celestion G12T-75 : Closed Back4 x 12” Celestion G12H-75 : Closed Back4 x 12” Celestion G12M Greenback : Closed Back4 x 12” Celestion Heritage G12H(55) : Closed Back4 x 12” Celestion Vintage 30 : Closed Back The IR-200’s inspiring amps sound and feel great to play, and they also interact nicely with drives and other pedal types in front. Eight guitar amps provide go-to platforms from classic clean, tweed, and class A to vintage and modern high-gain, while three bass amps offer rich, punchy sounds from clean to driven. Each amp type features responsive gain, bass, mid, and treble controls for dialing in core sounds quickly, and a noise suppressor is on hand for taming high-gain buzz. It’s also possible to bypass the amp section entirely and use the IR-200’s high-quality cab IRs with an amp/load box setup or external modeler. Guitar Amp TypesNATURAL : BOSS original amp type with balanced clean-to-driven soundJC-120 : Model of a Roland JC-120TWIN COMBO : Model of a Fender Twin ReverbDIAMOND AMP : Model of a VOX AC-30TWEED COMBO : Model of a ’59 Fender BassmanX-HI GAIN : BOSS original amp type that uses MDP (Multi-Dimensional Processing) technology to produce a high-gain sound with wide range and clarityBRITISH STACK : Model of a Marshall 1959 Super LeadBGR UB METAL : Model of the high-gain channel of a Bogner Uberschall Offering deep sound-shaping tools and 128 memories, the IR-200 lets you build a library of setups for every playing situation. Use different amps for different styles, dial things in further with two parametric or graphic EQs, and add some space with one of three ambience effects. Two IRs can be used at once, allowing you to blend tones or create wide stereo sounds. There’s also an effects loop that can be positioned before or after the cab IR section, complete with support for stereo effects, series/parallel operation, and more. And at the end of the chain, two global EQs are available for final sound refinement. With the IR-200’s display, panel controls, and flexible connectivity, you can perform with confidence on any stage. Grab the dedicated knobs to tweak tones in the heat of the moment, and send independent feeds to a stage amp and house PA via the two output jacks. Scroll through memories with the two onboard footswitches while performing, and control a variety of functions with external footswitches or an expression pedal. MIDI control is also available, allowing you to interface with other MIDI-equipped pedals and devices like the ES-8 and ES-5 loop switchers. Along with its other powerful features, the IR-200 is a high-quality USB audio interface for music recording and streaming software. Dedicated drivers provide a full range of audio interface functionality on macOS and Windows computers, while basic stereo audio streaming is possible with iOS devices. Record tracks and monitor audio with your computer DAW and re-amp sounds through your pedalboard and the IR-200’s amps and cab IRs. Or perform live on your favorite streaming platforms with fantastic direct sound. The IR-200 is also equipped with a headphones jack for sound monitoring while practicing, recording, or playing live. You can play with normal stereo sound through headphones or switch in a cool surround effect for an immersive and inspiring sonic experience. There’s also a stereo aux input for playing jam tracks or backing music from your phone, a mixer, or another audio device. Company names and product names shown above are registered trademarks or trademarks of their respective owners. They are used because it is the most practical way of describing the sounds that are emulated using DSP technology. Sampling frequency: 96 kHz AD Conversion: 32 bits + AF method * AF method (Adaptive Focus method) is a proprietary method from Roland & BOSS that vastly improves the signal-to-noise (SN) ratio of the AD and DA converters. DA Conversion: 32 bits Processing: 32-bit floating point Memory: 128 IR cabinet data format: Mono/stereo, Maximum 500 ms, 44.1/48/96 kHz, 16 bits linear/24 bits linear/32-bit floating point Preset IR cabinet: 154 User IR cabinet slot: 128 Normal input level: INPUT, RETURN: -10 dBuAUX IN: -20 dBu Maximum input level: INPUT, RETURN: +7dBu AUX IN: 0 dBu Input impedance: INPUT, RETURN: 1 M ohm AUX IN: 27 k ohms Normal output level: OUTPUT (A/MONO, B), SEND, PHONES: -10 dBu Maximum output level: OUTPUT (A/MONO, B), SEND, PHONES: +7dBu Output impedance: OUTPUT (A/MONO, B), SEND: 1k ohm PHONES: 44 ohms Recommended load impedance: OUTPUT (A/MONO, B), SEND: 10 k ohms or greater PHONES: 44 ohms or greater Controls: DOWN switch, UP switch MENU button, EXIT button MEMORY knob, AMP knob, CABINET knob, AMBIENCE knob GAIN knob, LEVEL knob, BASS knob, MIDDLE knob, TREBLE knob Display: Graphic LCD (132 x 32 dots, backlit LCD) Connectors: INPUT, SEND, OUTPUT (A/MONO, B) jacks: 1/4-inch phone type RETURN jack: 1/4-inch TRS phone type AUX IN: Stereo miniature phone type CTL 1, 2/EXP jack: 1/4-inch TRS phone type MIDI (IN, OUT) connectors: Stereo miniature phone type USB COMPUTER port: USB Micro-B type DC IN jack Power supply: AC adaptor Current draw: 335 mA Accessories: AC adaptor Owner's Manual Leaflet "USING THE UNIT SAFELY" Rubber foot x 4 Options (sold separately): Footswitch: FS-5U Dual footswitch: : FS-6, FS-7 Expression pedal: FV-500H, FV-500L, EV-30, Roland EV-5 TRS/MIDI cable: BMIDI-5-35, BMIDI-1-35, BMIDI-2-35, BCC-1-3535, BCC-2-3535 SIZE AND WEIGHT: Width:101 mm (4 inches) Depth:138 mm (5-7/16 inches) Height: 63 mm (2-1/2 inches) Height (including rubber feet): 65 mm (2-9/16 inches) Weight (excluding AC adaptor): 660 g (1 lb 8 oz) * 0 dBu = 0.775 Vrms *The specifications are subject to change without notice.